This is the practice known as using "Gentile fronts" (which also applies to our culture) which is extensively practiced in the financial world today in order to cover up the evidences of Jewish control. How much progress has been made since these words were written is indicated by the party convention at San Francisco when the name of Judge Brandeis was proposed for President. It is reasonably to be expected that the public mind will be made more and more familiar with the idea of Jewish occupancy-which will be really a short step from the present degree of influence which the Jews exercise- of the highest office in the government. There is no function of the American Presidency in which the Jews have not already secretly assisted in a very important degree. Actual occupancy of the office is not necessary to enhance their power, but to promote certain things which parallel very closely the plans outlined in the Protocols.
("While preaching liberalism to the Gentiles, we shall hold our own people and our own agents in unquestioning obedience." "The scheme of administration must emanate from a single brain .... Therefore, we may know the plan of action, but we must not discuss it, lest we destroy its unique character .... The inspired work of our leader therefore must not be thrown before a crowd to be torn to pieces, or even before a limited group.")
Jews were heavily involved in rock'n'roll from the beginning as label owners, songwriters, producers, and promoters. Jews played a part in constructing quite a few early rock classics that many listeners might not realize were written by members of the Jewish faith, from "Jailhouse Rock" and "A Teenager in Love" to "On Broadway," "Will You Love Me Tomorrow," and "Chapel of Love."
The Brill Building
at 1619 Broadway in Manhattan